• "The drawings of OH Vilag propose a line of argument that promises directly as a conscientious narrative, or indirectly playing off ironic comparisons,
  • He feels sometimes deep within his catalog of 'the missing' and 'the commonplace'."
  •  
  • "Genuine voice of a typical outsider, fresh and unpredictable!
  • into very strong visual images, which resonate, in their span of styles,
  • OH Vilag's concept of art ending in book is for me an excellent format
  •  
  • "You write 'Oh World! Oh Human'
  • It is right and proper that you offer us an image of Kathe Kollowitz,
  • Artist of this card brings into focus the everyday among plants. But you forego the pretty and cute
  • until we recognize in them our fellow human being, our brother, our sister, IMAGO DEI. The missing belong to us. The mute belong to us.
  •  
  • "OH Vilag (or Richard Eaton as I have known him from the National Academy and Art Students League) feels deeply,
  • I respond to how closely tied his art is to his existence. Eaton's art truly extends beyond stylistic exercises, indeed to me that says a great deal
  •  
  • "Do Walls Have Imagination is a remarkable work.
  • to the impeccable mix of amazing images and probing texts, exuberant color
  •  
  • Specs
  • Specs
  • Specs
  • Specs
  • Virtual Moves
  • Virtual Moves
  • Virtual Moves
  • Virtual Moves
  • Virtual Moves
  • Virtual Moves
  • Virtual Moves
  • Virtual Moves
  • Virtual Moves
  • Virtual Moves
  • Virtual Moves
  • The Halabutwaddles
  • The Halabutwaddles
  • The Halabutwaddles
  • The Halabutwaddles
  • Awe
  • Awe
  • Awe
  • Awe
  • The Map
  • The Map
  • The Map
  • The Map
  • The Compass of the Face
  • The Compass of the Face
  • The Compass of the Face
  • The Compass of the Face
  • Dr G's Law
  • Dr G's Law
  • Dr G's Law
  • Dr G's Law
  • A Long Word
  • A Long Word
  • A Long Word
  • under the i
  • under the i
  • under the i
  • under the i
  • At the Door of the Heart
  • At the Door of the Heart
  • At the Door of the Heart
  • At the Door of the Heart
  • The Child in the Zoo
  • The Child in the Zoo
  • The Child in the Zoo
  • The Child in the Zoo
  • Reinventing Round Pond
  • Reinventing Round Pond
  • Reinventing Round Pond
  • Reinventing Round Pond
  • but with a kind of lyric compassion - what is unfinished and maybe could never be finished.
  • Arthur C. Danto on OH Vilag
  •  
  • OH Vilag has a gift of transporting his emotional sensations
  • with such diverse artists as Goya, Van Gogh, Picasso, Baskin.
  • however unconventional for the playful mind and hand."

    Leonid Lerman, artist
  •  
  • and it is your election to depict the human that is under-represented in our celebrity-inebriated world that pleases me.
  • for she too depicted the opressed and ignored, the unbeautiful and the ugly (as well, in their demonic demensions, as the oppressors).
  • and bring into focus human beings who lack the attraction to lead us to look at them twice. You depict then so that we have to look at them steadily
  • Our mercenaries not only serve us and/or in our place, but belong to us."

    Tony Stoneburner, teacher and poet
  •  
  • invests those feelings and strong inner energies into his drawings and paintings. The work has speed and rhythm along with thoughtfulness.
  • in the unity of all the parts coming together like they should and why his drawings are vital forms to absorb and connect to."

    Sigmund Abeles, artist
  •  
  • The label "artist's book" though potentially descriptive, doesn't do justice
  • and thoughtful composition that is found in this volume. It is a treat indeed.

    Kellie Jones, art historian
  •